Season 2020-21 AuditionsWe are committed to casting that embraces diversity and inclusion. We believe in the value that diverse voices bring to telling a story, and the importance of casting that pushes against historical systems. Artists of all ethnicities, heritage, genders and ages encouraged to apply.
On-Going General Auditions for
The Tabard Theatre Company’s
2020-21 Season ‘Celebrate Life’
If you’d like to be considered for It’s A Wonderful Life please send your audition by end of day Thurs. November 12. For all other shows, submissions will be accepted on an on-going basis.
Auditions are via self-tape submission. Callbacks will be held via Zoom as-needed.
For consideration, please:
- Fill out our audition form here.
- Video yourself performing two contrasting monologues, or one monologue and a song, no more than 4 minutes total.
- Upload your audition to a video sharing site such as youtube or vimeo, and
- Email us the link along with your headshot and resume to email@example.com
We are a non-union company. All roles are volunteer positions with per diems for food and gas.
Specific rehearsal and performance schedules will vary for each show, but we generally rehearse for 3 to 5 weeks, 3hrs/day on weekdays with one 5 hour rehearsal over the weekend. Performances for Mainstage shows are generally three weeks, Thu-Fri at 8pm, Saturday at 3pm and/or 8pm and Sunday at 2pm.
The health and safety of our artistic team is very important to us. We are following all State and County regulations for live streaming. Currently that means:
- Cast and crew sizes are being reduced to ensure that we comply with Santa Clara county health regulations.
- Temperature and symptoms are checked and logged for every person on arrival.
- Rehearsals will be a combination of outdoor locations, socially distanced at the theater or remote via video-conferencing.
- Tech week and performances will be onsite at our theatre in downtown San Jose.
- Distancing and masks are required when not performing.
- Cleaning and sanitation is performed multiple times throughout the day
- Personal make up/prep stations will be assigned to each performer
- Hand sanitation station provided throughout the building
Show descriptions and character breakdowns below. All titles subject to change.
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY
Heartfelt Holiday Classic
Adapted by Joe Landry from the screenplay by Frances Goodrich, Albert Hackett, Frank Capra & Jo Swerling
Directed by Jonathan Rhys Williams
December 4-20, 2020
Rehearsals start Sunday, Nov. 15
Experience this beloved American holiday classic as a live 1940s radio broadcast complete with sound effects done right before your eyes and a small ensemble, each playing multiple roles as they bring to life the story of idealistic George Bailey and his encounter one fateful Christmas Eve with an angel named Clarence.
JAKE LAURENTS M, 20 – 40 – a good-looking, charismatic, all-American good-guy. Plays George Bailey.
FREDDIE FILMORE M, 30 – 60 – excellent character actor, able to play multiple roles. Plays Announcer, Joseph, Mr. Gower, Henry F. Potter, Uncle Billy Bailey, Ernie, Mr. Bailey, Old Man Collins, Ed, Man, Giuseppe Martini, Nick, Bridge Keeper & Binky.
HARRY “JAZZBO” HEYWOOD M, 30 – 49 – excellent character actor, able to play multiple roles. Plays Harry Bailey, Bert The Cop, Clarence Oddbody,As-2, Sam Wainwright, Lawyer, Dr. Campbell, Randall, Tom, Man 2, Charlie, Carter, Horace the Bank Teller & Mr. Welch.
SALLY APPLEWHITE F, 18 – 60 – attractive, sweet, all-american girl next door. Plays Mary Hatch Bailey.
LANA SHERWOOD F, 30 – 50 – excellent character actress, able to play multiple roles. Plays Violet Bick, Matilda, Ruth Dakin Bailey, Rose Bailey, Mrs.Hatch, Passerby at Run on Bank, Mrs. Thompson, & Mrs. Davis.
Madcap Musical Comedy
By Jahnna Beecham and Malcolm Hillgartner
Whoa, Britannia! Panic at the BBC! It’s 1944, America’s favorite singing cowboy Tex Riley and his musical mavericks are late for a special broadcast. Out of desperation, their tour manager and frantic young producer grab whomever they can, slap them into costume, hand them scripts and shove them in front of the studio audience. Staid Brits become singing Yankee cowboys before your eyes—and ears!
ARCHIE LEITCH – Cockney sound engineer, down-to-earth and quick with a quip. Plays the guitar, loves cowboy songs — and knows quite a few of them.
MILES SHADWELL – Intense young producer responsible for bringing the Singing Cowboys to Great Britain. If this holiday broadcast doesn’t come off, he might as well kiss his job good-bye. If he wasn’t so neurotic, he’d be a nice guy.
LESLIE BRIGGS-STRATTON – Imperious, arrogant snob of a BBC announcer á la George Sanders. Loathes cowboy songs. Is convinced he is civilization’s last line of defense against the rise of vulgar populism on the radio. Nobody knows he was once a featured performer in music hall pantomime.
CLIVE COOPER – A radio personality of sorts, Clive IS the “Saltey’s Fish ‘n’ Chips Man.” An old school tie kind of guy, he really thinks of himself as a great AC-tor.
MABEL CARTER – Tex Riley’s stage manager. Mabel is used to being a behind-the-scenes wallflower. But once she steps up to the mike, she’s a rose in full bloom.
STAN – The sound effects man. Like Buster Keaton, this shell-shocked veteran is a man of few words.
Beloved Classic Musical
Book and Lyrics by Alan Jay Lerner, Music by Frederick Loewe, Book Adapted by David Lee
Adapted from T.H White’s The Once and Future King, a fictional telling of the Medieval King Arthur
Directed by Diane Milo
“In short, there’s simply not/A more congenial spot/For happily-ever-aftering than here/In Camelot….” King Arthur and Guinevere lead a cast of eight in a creative reimagining of this heralded musical, bringing the magical story to life with passion and vitality.
Note: The roles of Arthur and Guinevere (Reveler #6 and 7) have been pre-cast.
We are not specifying gender for these roles. Please consider the vocal range of these characters when applying.
REVELER #1 (MORDRED & SQUIRE DAP), 20-35 A2 – D4 – Mordred is an evil young man, who was “sired” by Arthur when the knight was young and naïve. An illegitimate son of Arthur.
REVELER #2 (DINADAN) – A knight who serves Arthur and is devoted to Guinevere.
REVELER #3 (SAGRAMORE) – A knight who serves Arthur and is devoted to Guinevere.
REVELER #4 (LIONEL) – A knight who serves Arthur and is devoted to Guinevere.
REVELER #5 (TOM OF WARWICK) 10-12, B2 – G4 – A young boy destined to be a Knight. He gives Arthur hope for the future.
REVELER #6 (ARTHUR) 25-50, Bb2 – F4 – “The Once and Future King.” Arthur is at once generous, compassionate, boyish unsure of himself, yet an inspiration to others. A rich and complex character, strong actor.
REVELER #7 (GUINEVERE) 20-40, A3 – A5 – A spirited woman quite caught up in chivalry and the exciting possibilities of a promising life. She loves Arthur, but is in love with Lancelot.
REVELER #8 (LANCELOT) 20-35, A2 – G#4 – Abundantly self-assured knight from France who is a passionate disciple of Arthur and his Round Table. “The Greatest Knight in the World,” whose only weakness is his love for Guenevere.